hidden hit counter
Front Page
CALENDAR
Art Links
Music Links
Theatre Links
Film Links
Columns
Stories
Interviews
About Us
Shopping
Dining
Lodging
Desert Links
Pick up a Copy
Desert Blogs
Sun Runner Catalog
Destinations

The Afternoon Light

 

lemon yellow

sour green

soft tops whisper

swallows dance on the breeze

 

gray white

steely blue

puffs glide overhead

smooth trunks carved lovers’ names

 

creaks,

rustles,

honks,

shrieks,

jet plane –

cars speed.

 

pale brown

washed death

leftover plastic hidden

bright flowers bloom from weeds

 

two feet above

 the buzzing creature flies

 

one leap across

 a shining raven glides

 

it flaps its wings

it darts to mate

 

their dance masks

 a bloodcurdling scream.

Bad Company

 

 

Black manure shooting into

 the air

Thick scents permeate

 the breeze

He comes down from the reaches of

 the highest peaks

Liquid movement streaks through

 the curve of the silver night.

 

Amber stickiness oozes out

 the trees

Swarming music dances across

 the horizon

He tip-toes through the stardust of

 the dreamland harmony

Luscious vision penetrates

 the silky touch of silent flight.

 

 

 

Black manure shooting into

 thick scents permeate

 

He comes down from the reaches of

 liquid movement streaks through

the air

 the breeze

 the highest peaks

 the curve of the silver night.

 

Amber stickiness oozes out

 swarming music dances across

 

He tip-toes through the stardust of

 luscious vision penetrates

the trees

the horizon

 the dreamland harmony

 the silky touch of silent flight.

When The Night Comes

When the night comes, I wish for him.  I wish he would rescue me from all the pain I walk around with in the daytime.  I want to be chopping wood and carving meat and pushing biscuits into fuel for our souls.  I want to be settled into an assuredness. I want to be transported into a place of vital need and health.

 I think of all the homes I visited in that small town.  Dark walls paneled in grainy wood and orange, black and army-green afghans slung on the back of thrift-store-sofas.  Always, shaggy carpets and stained linoleum. Crusty kitchen counter tops with glittery, earth toned, 60’s-modern surfaces.  Fires were always burning, in iron stoves, to take the chill off the late evening air.  The smell of dinner wafted through and took over the sense of isolation-in-the-woods, outside the windows. It was as if asserting through structure, smell and iron machinery - human dominance could be placed on the life surrounding, on the darkness of the earth in which these people found themselves placed.

Usually, the smell of cow manure would hang in the wafting breeze, regardless of the place the sun had stopped in the sky.  Some of these places were happy to have these associations made. Small town, rural life, escapes of identity, the absolute assuredness of the place in which they shared.  This smell sat in the air because it was shot all around by giant sprinklers, over vast pastures, in an effort to grow rich grass, to feed the milk cows, for money.

When the night comes, in Los Angeles, I think of him.  I take sips of dark, cold beer. I smell him in the bottle, in the hot breeze, in the smell of sex wafting in my windows. I wish for him in the daytime.  I want to have his opinion and reflection and understanding of the amazing states of humanity I witness on the streets. His presence in my needs give me courage.  

I think of all the dark alleys I’ve passed with crushed cans and broken bottles clogging curbside corners.  Giant green trash receptacles, chained to keep the hungry out, gang tags decorating their surfaces. The smell that comes is sickly-sweet, like rotting flesh and danger.  Often there is a man or a woman there, huddled in sour blankets and dirty sheets. Always their fingers are black and caked with blood and sores rip across their bodies. These people have found themselves placed in the streets and never know how to escape them.  It’s as if people allow people to eat each other on LA’s streets – in order to assert human dominance on the life that surrounds them.

Usually, the sun beats down on Angelino heads and cooks the brains inside them.  Some of these people are glad to have the constant heat and use it to their advantage. Women sit with no tops on to bronze expensive breasts, while men strut through fancy luncheon dates with absolute assuredness. The golden light fills the sky because this part of the earth is closer to the equator, the combination of heat and flesh, sun and sand, sweeping cloudless blue, works for some, in the quest to make money.

When the twilight comes, I numb myself and try to imagine a midnight of darkness.  I wish the sky would heal the strain of settling into disconnected assuredness. I ache for him and firelight, with grilled meat and fresh picked vegetables.  I numb myself in the daytime and understand that the knowledge of him transcends all the sadness.

Bio:  Amanda B'Hymer.  American Feminist Literature and History, University of Washington.  Urban Communities and Design with emphasis in Creative Writing and Multi-Media Self Expression, Antioch University Los Angeles.   Northwest native drying out in the desert with dog, cat, iguana, child and man.

Copyright ©1995-2009 The Sun Runner, The Magazine of California Desert Life & Culture
61855 29 Palms Hwy., Joshua Tree, CA 92252, USA
Webmaster: Steve Brown